Create
Ad stills in your brand, with the copy set from fields you typed
Pick a preset, type the copy, and get back a finished still at every size the preset draws. The model paints the scene; your headline, badge, permit line and logo are set over it from the fields you typed.
A still you use in an ad reaches the account as a draft at the same gate as every other change, and the record keeps which still the ad was built from.
A model that writes your ad, or a model that only paints it
- The headline comes back misspelled, or reworded into something nobody on the team would have signed off.
- A prize count, a price or a spec list appears in the image that nobody typed, and it reads as a promise.
- The permit line a promotion must carry is missing, or is somebody else’s, or is a number the model made up.
- Every copy variant is a fresh generation, so testing five headlines means paying for five pictures.
- A resize for a story placement is another roll of the dice, and the second picture does not match the first.
An image you proofread for things you never said.
- The model draws the scene with an instruction that it carries no text at all, and a check asks whether it did anyway.
- Every word Tempio sets on the still comes from a field somebody typed, drawn by the renderer in the kit’s own typeface and colours. A scene that still shows text after one automatic retry is kept and marked.
- A preset that needs a permit line refuses to start without one, so a still cannot go out missing it.
- Five headlines are five stills of one scene. Changing the copy redraws the words and costs no generation.
- Another placement is a new crop of the scene you already have, set in seconds and never regenerated.
Copy exactly as you typed it, and a mark on any scene that drew letters anyway.
From a brand kit to a still at the gate
- 01
Set up the kit once
Six colour roles, each named for what it does on a still: the ground, the text over it, the badge, the call to action and the text on those two. A typeface, a short line on how the type feels, the brand’s voice, the words it never uses, the logo and the products. Importing from your website fills a first draft you correct before anything is saved.
- 02
Pick a preset and type the copy
Seven presets cover the stills a brand makes most: a product shot, a graphic ad, a marketplace listing, and the four a promotion runs on, from the launch still to the deadline story. The form asks for exactly the fields the preset draws, with the limit each one fits. A batch is up to ten stills, made in the background while you do something else.
- 03
Use it in an ad
A finished still is copied into the media library for the ad account you choose and its upload is written as a draft; the ad that carries it is a draft too. Nothing reaches an account until it is cleared at the gate, and a still nobody attaches changes nothing and stays in the workspace.
What the creative layer is careful about
The permit line is a field
A promotion’s small print is a template in the kit with a slot for the permit. The line is typed on the still from that template, and an agent writing the brief fills it from the permit you give it. A preset that needs it refuses a request without it, and a placeholder an agent left for a missing permit is refused too, so it never reaches a published ad.
Colour by role
A template asks for the colour a headline over the scene is written in, never for whichever hex looked nice. The kit form shows the contrast of each text pair as you edit it.
Resizing is free
One scene is generated and cropped to every ratio the preset draws. Adding a ratio later redraws the copy over the same scene in seconds, with no model call.
Cloning copies the composition
Cloning an ad from the library matches its layout and its light. Its headline, offer and small print stay behind, and the words on your still are the ones you typed.
Every generation is on the record
Which model answered, the version it reported, a hash of the prompt it was sent, the attempt and the cost where the provider states one. A workspace on its own key is recorded the same way.
An ad is still a draft
Attaching a still to an ad is a change against an account, so the upload and the ad are both change requests, checked at the gate before anything is applied.
What clears a changeMade for the flight
A brief is stronger when it knows the window, the budget and the accounts it is for. The plan holds all three, so a set of stills can be made for the line items that will carry it.
Plan the flight firstIllustrative exchange
Questions
Put frontier AI to work on every ad account you run.
Connect your accounts, point your own AI at them over MCP, and read the numbers and draft the work in one place. Every change is a draft until you approve it, or until a rule you wrote does.
Request early access- Read and draft by default. Approve is a separate permission you grant.