Tempio

Ecommerce ad examples on Google Ads

Search is where a direct-to-consumer brand meets demand it did not create, and the ads that work here look almost nothing like the ones that work in a feed. Nobody is being interrupted. Somebody has typed the product, or the problem, or a competitor's name, and the auction is a queue of answers. That changes the creative from an argument into a match: the winning ad is usually the one that repeats the query most exactly and then gives the one reason to click that the results around it do not.

Branded and non-branded are two different businesses

The first thing to establish about any ecommerce account here is how much of its spend and its revenue sits on the brand's own name. Branded queries convert well, cost little and mostly describe demand that already existed. Non-branded queries are where the account either grows or bleeds.

This is the most common way a swipe file misleads. An ad you saw on a brand's own name is an ad that had no work to do, and reading it as an example of good creative is reading the query's intent as the ad's persuasion.

The practical habit is to note, for every example you collect, which kind of query returned it. Two ads from the same brand with the same structure can be doing entirely different jobs, and only one of them is a lesson.

What to check in your own account before borrowing anything: the split, weekly. An account whose blended return improves while the non-branded share of spend falls has not got better at advertising, it has just bought less of the hard half.

The product feed is the creative

Where an ad is assembled from a product feed, the title, the image, the price and the availability are the copy, and they were written by whoever configured the feed rather than by anybody in the creative process. This is the highest-leverage and least glamorous work in an ecommerce account here.

The recurring pattern in brands that do well is that titles read like the query rather than like an internal reference: the attribute a person searches on sits at the front, the codes sit at the back or nowhere. Images are cropped so the product survives at thumbnail size against a plain ground. Availability is current, because nothing wastes money faster than winning the auction for something you cannot ship.

The recurring waste is a feed exported once from the store and never opened again, while the team argues about creative for the handful of campaigns that do not use it.

What to check before borrowing a competitor's setup: none of it is visible. You can see the title and the image they show, which is genuinely useful, and nothing about the structure behind it.

The one reason to click, in the second line

When several results answer the same query, the first line is a match and the second is the differentiator, and in this industry the differentiators that recur are narrow and concrete: free returns, delivery by a date, a size range, a material, a guarantee with a number of days on it. Not adjectives.

The reason is that the reader is comparing, not discovering. They already want the thing. What they are resolving is which of several near-identical options carries the least risk, and every recurring differentiator in this industry is a risk being removed.

What fails is the brand sentence. A line about craftsmanship or a founding story is doing work on a product page and no work at all in a queue of answers, where the reader is scanning for the one fact that settles it.

What to check before you copy a differentiator: whether you can honour it on your worst week. A delivery promise in an ad is a promise the operations team has to keep in December, and the cost of breaking it is not measured in this account.

A peak week reaches the auction before it reaches you

Demand in this industry moves on a calendar, and so does the price of reaching it. The same ad that carried an account through a quiet month can look broken in a peak week with nothing changed except what everybody else is willing to pay.

For reading examples this matters twice. An ad seen in a peak week survived peak prices, which is a harder test than the one your ad faces in a quiet month. And an ad seen in a quiet month may simply be the only advertiser still bidding.

The practical habit is to date every example, and to compare like weeks rather than consecutive ones. A week-on-week move during a seasonal ramp is mostly the calendar, and reading it as a creative result is how a good ad gets retired.

What to check in your own account: whether last year's same week is available to compare against, and whether the account was structured the same way then. If it was not, say so when you quote the comparison.

What this page does instead of a swipe file

It reads the recurring ecommerce angles against the surfaces around search: what declared intent does to the creative, what the feed behind a shopping ad is actually carrying, and what has to be true in your own store before a competitor's idea is worth testing. The live examples that illustrate each angle come with the ad library.

Two things that make a week's numbers mean less than they look

A strategy aiming at a target return needs a supply of conversions to aim with, and a store with a wide spread of order values supplies a noisy one. The strategy is not wrong, it is working with what it was handed, and an account that moves its target every week is teaching it nothing at all.

And the reports are yours rather than the market's. Search terms sample what matched, impression share describes what you missed rather than what a rival was willing to pay, and an ad you saw against your own brand may have been served once, to you, because you looked for it.

Structure is a question about margin, not tidiness

Match types and negatives decide which queries reach an ad group, the feed decides what a shopping surface can show, and the landing page decides whether the click was worth anything. The recurring structural argument in this industry is how much to separate — by category, by margin, by branded and non-branded — and there is no universal answer. There is a universal failure, which is a structure nobody can explain on the morning a number moves.

Watch the mix, not the click price

What separates a good week from a bad one is almost never the cost per click. It is how much spend went to your own name, how much to category queries and how much to queries that were never going to convert. Two weeks at the same blended return with different mixes are different weeks and only one of them will happen again.

Turning a competitor's ad into your own test

Write down the query, not just the ad, and note whether it was branded, which week of the year it was, and whether the landing page kept the promise. Then name the single thing you would change and the thing that has to stay flat for the result to mean anything.

Assembling that reading weekly — how the branded share moved, which queries are new, whether the return changed because of the auction or the mix — is mechanical work an agent with read access to the connected account can do continuously, and what it proposes is a change request carrying the state it would change, applied when it is approved by you, or by a rule you wrote.

Other industries

Questions

Put frontier AI to work on every ad account you run.

Tempio connects your ad accounts into one workspace and hands your own AI the numbers and the tools. Every change it writes is a draft until you approve it, or until a rule you wrote does.

Request early access
  • Read and draft by default. Approve is a separate permission you grant.